The ‘remarkable’ 2020 effect on artists’ output at UC
Once a year, the Ilam School of Fine Arts at the University of Canterbury (UC) opens the doors of its studios, inviting the public to roam the buildings and spaces, enjoying a rich variety of artworks displayed tantalisingly for less than a week in November.
Issy Van Der Leden with Cabin Fever, a video installation.
Ashcroft won with Cross work, an acrylic on rewoven canvas; Van Der Leden with Cabin Fever, a video installation; and Wadeson-Lee with if by dull times, our english must be chained, a sculptural installation comprising forged steel chains, draped cloth and video projection.
The time spent at art school is formative, Oliver says: “The history of Ilam graduates is studded with stars, but often the most exciting times are those when there are a bunch of students on the same wavelength, who encouraged, critiqued and supported each other to make their best work.
“As the Director of the Physics Room Contemporary Art Space from 2012 to 2016, I engaged with many of the students around this time who were part of the gallery community as participants, volunteers and budding artists. Some of these artists now have burgeoning careers that draw on the politics, creativity and critical thinking that they gathered thought the unique teaching and culture at Ilam.”
The exhibition was a testament to the “fortitude and resilience” of the School of Fine Arts staff and students at the end of a challenging and remarkable year, UC Head of Fine Arts Associate Professor Aaron Kreisler says.